C o-headline tours of this ilk can allow relatively long-in-the-tooth artists to pool their fanbases and play large venues that they would not necessarily be able to fill on their own. Nevertheless, this particular pairing of two bands who arrived in the wake of the early 90s US grunge rock scene appears decidedly incongruous. When Weezer ( ★★★) emerged with a self-titled 1994 debut album of hook-laden geek-rock and nerdy, knock-kneed songs about teen angst, they were met with critical horror.
In a post-Nirvana musical landscape in thrall to aching authenticity, they were dismissed as lightweight dilettantes, fronted by a holidaying Harvard scholar in Rivers Cuomo. How silly such snobbery seems now. Thirty years on, Weezer still dole out taut, punchy, witty powerpop with self-effacing elan.
They bring endearing charm both to their own gawky back-catalogue staples such as Hash Pipe and Buddy Holly, and a rollickingly urgent cover of Hole’s Celebrity Skin. They are patently still in love with music. View image in fullscreen Light touch .
.. Rivers Cuomo and Scott Shriner of Weezer.
Photograph: Michal Augustini/Rex/Shutterstock In stark contrast, Smashing Pumpkins ( ★★) have always been a band weighed down by an overweening sense of their own importance. Mere rock’n’roll has always been a tad beneath them. Singer and songwriter Billy Corgan has never met an over-elaborate conceit or a bloated, baroque concept he doesn’t want to try on for size.
Tonight’s lineu.
