A change of scenery at Chanel. Today’s haute couture show was staged at the Palais Garnier. Though the Grand Palais—home of Chanel shows since the Karl Lagerfeld era—was recently refurbished, it’s now being prepped for the Olympics fencing competition, so a new venue was needed.
The French director, Christophe Honoré, was hired to reimagine the opera house for the occasion, and his idea was to transport the red velvet boxes of the gilded theatre to its hallways. Guests were encouraged to arrive early to walk the corridors the way operagoers have for the 150 years since its opening. It’s been less than three weeks since news broke that Viriginie Viard , who inherited the artistic director position after Lagerfeld’s passing in 2019, was exiting the house.
But today’s collection, according to notes provided by the house, was the work of the Fashion Creation Studio. The team took the show’s setting as a design cue. Vittoria Ceretti’s opening look was a sweeping opera cape in black taffeta, its ruff neckline framing her face and her hair pulled back by a grosgrain bow.
At the end, Angelina Kendall played the bride in white taffeta cut along the voluminous lines of Princess Diana’s wedding dress. These pieces had whimsy and drama in equal measure. There was also a mint green taffeta trapeze dress suspended from black bows at the shoulders and worn over a little black knit romper.
In between, runway operatics were downplayed in favour of an embrace of house sta.
