Culture South African artist Zanele Muholi is experiencing déjà vu. It’s possible that you are too. If you’re wondering where you’ve seen their work before, it was likely four years ago, when Muholi’s major Tate Modern exhibition first opened, before it was forced to close due to Covid.
Now they’re back, and Muholi’s vital, honest and captivating work is getting the run it deserves — featuring more than 260 photographs from the past three decades. Describing themself as a visual activist, Muholi documents and celebrates queer communities who often don’t see themselves reflected in society, with a particular focus on South Africa’s Black LGBTQIA+ culture. Ahead of their return to the capital, we catch up with the photographer .
Where are you right now? I’m in LA, it’s 10am here. I’ve got an exhibition that’s opening here on Saturday. And then you’re heading to London? Yes.
It’s the second time around for the show. So I’ll be coming to London because I missed the first one. Will you be doing anything else while you’re here? I’ll be continuing to shoot.
Is there anyone in particular you’re hoping to photograph? [Electronic music artist] Toya Delazy, a South African who is based in London now. She’s my dream. If I could get a chance to shoot Toya Delazy I’d be happy.
Will you be seeing any sights, going to any restaurants or bars? I don’t do bars or taverns. I’m not that kind of person! That’s a shame, there’s a new lesbian ba.
