Andy Warhol was the first person to experience the Dionysian thrill of a . The artist had been painting cans of Campbell’s tomato-flavored soup since 1962, and in 1966 the tinned-goods firm capitalized on Warhol’s popularity with the production of a disposable dress screen-printed with its own cans. It was a fortuitous meeting of art and consumerism that precipitated the TikTok trend–that in turn precipitated various fast fashion categories–by almost 60 years.
See also: Inès de La Fressange closing ’s spring 1984 presentation in a sleeveless dress shaped like a Campbell’s soup can; Dolce & Gabbana’s spring 2017 burlap dress which resembled a traditional can of peeled Sicilian tomatoes; and the asymmetrical Miaou dress that was yesterday afternoon photographed in. She wore that silken slip–printed in a cut-and-paste melange of branded canned tomatoes–with verdant Reebook Club C 85 sneakers. (She has a unique gift for .
) There are few differences between Warhol and Ratajkowski’s approach to image-making. Much like the artist’s 1962 Marilyn Diptych–a screen print in which he repeated the American icon’s image hundreds of times in a grid-like formation–a cursory scroll through the model’s Instagram will reveal her own face atomized across a thousand digital squares. Both of them understand that celebrities can and will be mass-consumed, like canned tomatoes.
“I was the living testament of a woman empowered through commodifying her image,” the m.
