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When the quadruple-murder trial against Jeremy Skibicki began on the last Monday in April, the public ear was pressed to the courtroom door, and James Culleton was sitting on the other side, with a sketchbook resting on his lap, a watercolour pencil in his right hand and history transpiring in front of him. Read this article for free: Already have an account? To continue reading, please subscribe: * When the quadruple-murder trial against Jeremy Skibicki began on the last Monday in April, the public ear was pressed to the courtroom door, and James Culleton was sitting on the other side, with a sketchbook resting on his lap, a watercolour pencil in his right hand and history transpiring in front of him. Read unlimited articles for free today: Already have an account? When the quadruple-murder trial against Jeremy Skibicki began on the last Monday in April, the public ear was pressed to the courtroom door, and James Culleton was sitting on the other side, with a sketchbook resting on his lap, a watercolour pencil in his right hand and history transpiring in front of him.

Skibicki, 37, of Winnipeg, was in court facing first-degree murder charges in relation to a femicidal spree that resulted in the deaths of four Indigenous women — Morgan Harris, Rebecca Contois and Marcedes Myran — and one unidentified person who’s been given the name by leaders within the Indigenous community. Those deaths led to calls to “Search the Landfill” for the victims’ bodies, a pained and .

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