Theatre 121′s production of “Sweeney Todd: The Demon Barber of Fleet Street” is a terrifying yet beautiful depiction of a descent into madness due to the failings of humankind. The Stephen Sondheim musical is layered, complex and rich with character portrayals. Director Billy Seger makes masterful use of the ensemble and a comic, bizarre element conveyed by this strong group to offset the evil themes woven throughout the story.
The show is in its final week at the Woodstock Opera House. The first act introduces us immediately to the title character portrayed actively and also with nuance by Norgie Montes De Oca-Metzinger, who has a richly resonant voice and mastered the “Epiphany” at the end of Act I with climactic ease. He is matched in wit, talent and beautiful comic timing by Sheri Warren’s portrayal of Mrs.
Lovett. Her comic moments are among the strongest in the show and add a sweetness to the steely Todd. The cast is strong through and through, but the amazing vocals of Mary Kate Schoessling (Johanna), Matthew Angelaccio (Anthony Hope) and Laura Lydia Paruzynski (Beggar Woman) lend a sumptuousness to the music and lyrics crafted by Sondheim.
The unique, precision-based choreography, especially as executed by the strong ensemble, lends an eerie, puppet-like quality to the show. Brody Tyner is particularly effective in his role as Tobias Ragg, extending the level of madness that evolves in Act II through to the culmination. Some of the technical and musical as.