From Mahanati to Kalki 2898 AD, and Dulquer Salmaan's Lucky Bhasker, costume designer Archana Rao is thriving. In an exclusive conversation with Deccan Chronicle, she reveals what went into designing costumes for the blockbuster epic—Kalki. Nagi (Nag Ashwin) and I have worked together on three projects: my first film Mahanati, a short film for Netflix called Pitta Ka Dinu, and now our third venture.
As a fashion designer with my own brand, transitioning to film costume design has been a learning experience. With Mahanati, I learned how designs translate on screen and how colours work together. Nagi and the team have guided me through this journey, helping me navigate the world of movie costume design.
Nag Ashwin has been a great collaborator, showing immense trust in me even though Mahanati was my first film as a costume designer. His belief in my abilities gave me the confidence I needed, and the entire process was smooth, with no major roadblocks. Nag Ashwin truly believes in his team and pushes them to exceed their own expectations.
This supportive approach has been invaluable as I've transitioned from fashion design to costume design for films. Designing for Kalki 2898 AD was very different compared to Mahanati. While Mahanati had historical references, Kalki required creating an entirely new futuristic world.
We had to establish distinct visual languages for different settings, from the last civilisation of Kashi to the advanced, oppressive Complex. The costumes needed.