The Black hair salon is supposed to be a safe, cultural space, where patrons go to feel beautiful and affirmed. But when that contract is broken, the results can be heartbreaking. That was evident in one of the most affecting scenes of “The Salon,” Saturday night at the Black Ensemble Theater.
Following an uncomfortable confrontation with a homophobic co-worker, nonbinary stylist Erin (the talented Makenzy Jenkins) delivers a moving rendition of Jazmine Sullivan’s “Masterpiece.” Erin sings the ode to self-acceptance in front of one of the salon mirrors, contributing to a moment when the plot, music and set design coalesce in an effective way. It’s a standout part of an otherwise uneven musical, which runs through July 28.
Written and directed by Michelle Renée Bester, the production showcases a cast of impressive actors, singers and musicians. It charms with the skilled live band’s selection of classic songs (“from James Brown to Beyoncé,” as advertised on the program). But the placement of the songs isn’t always successful, and some of the plot points are not fully fleshed out.
Set in Chicago, the play follows a 50-year-old salon navigating new ownership, changes in the neighborhood and financial troubles that could cause the business to close. At the start of the production, we meet the lovable salon employees: the matriarch, Mama T (Cynthia Carter); Monique (De’Jah Jervai), the stylist who dates the wrong men; the shop assistant (Jared Brown) with.