Well...

that was quite something, wasn't it? If nothing else, 73 Yards is an episode of Doctor Who that will be discussed for many years to come. It's simultaneously one of the most engaging and unique episodes the show has put forward in the last 20 years, and also an episode that says almost nothing at all about anything. One part folk horror, another part psychological thriller and with a brief sidestep into political satire, it's an episode you could see being aired as a short film at Cannes or Sundance, which certainly isn't the bracket Doctor Who normally falls into.

73 Yards is artsy, ambiguous, and high-concept, and that may not be everyone's cup of tea – frankly, I'm still trying to work out if it's mine. Overall though, I can't deny I want more of this style of writing: big ideas, new genres, different vibes. Russell T Davies is nothing if not ambitious, so let's get into where that ambition succeeded, and where it let him down.

10. UP - A Visually Stunning Episode Space Babies put the new CGI budget front and centre, while Boom saw the Doctor Who crew playing with its new Volume-style tech to create a virtual environment. Spectacle is great, and I certainly don't mind the increase in production value on the show, but sometimes you can't beat some good old-fashioned location shooting.

For basically the first time, the team was able to film in Wales this week without having to pretend they were somewhere else, which must've been a novelty. 73 Yards is dripping with.