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By Jack Antonoff is booked and busy. When he’s not producing some of the world’s most sought-after artists — Taylor Swift, Lana Del Rey, and Lorde, most notably — he’s fronting band Bleachers, who just released their self-titled fourth studio album in March. For Antonoff, this past year brought a marriage to actress Margaret Qualley and ample award nominations, atop his countless industry obligations.

While there may be a of his stamp on work with pop music’s elite, it is his live show that reaffirms the mastery of his craft and provides meaningful insight to the man behind some of modern music’s best, and most discussed, work. There is a vivacious energy on stage that truly comes to the forefront during Bleachers’ live shows, as opposed to some of their studio offerings. Though their sound does not fall flat on recordings, the live show completes the puzzle and emphasizes the power of communal listening experiences, and of course, the frenzy and fortitude of Bleachers’ tight musicianship.



On Monday night, Antonoff proved to Boston fans just why he is the busiest man in music right now. Bleachers returned to Boston, a city they cite as being pivotal to their career, for their “From The Studio To The Stage” tour. After an eccentric and beautifully tender set from opener Samia, Bleachers embarked on a night of unbounded joy and musical revelry.

The set opened with the plaintive “I Am Right on Time,” followed by jaunty single “Modern Girl,” which ig.

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