With a sigh, Ahmir Thompson – better known as Questlove – turns his laptop around, so I can see the inside of his apartment, rather than the beautiful view of the New York skyline through the window behind him. It is a chaos of overflowing boxes and furniture covered with papers. "An ex-publicist of mine decided that they didn't need their 8x10 photographs and old articles from the NME any more, so they gifted them to me," he shrugs.
Thompson seems equivocal about this state of affairs. On the one hand, he can barely contain his delight: "Look at this!" he enthuses, showing me a newly acquired invite to the 1984 premiere of Prince's Purple Rain movie. But, on the other: well, look at the place.
"People are saying: 'I got kids, but they won't care about this stuff like you will. If this needs to go in a museum or something, I can trust you with history.' The universe has put me in the position of keeper of the record.
So, you know, be careful what you wish for." This is apparently what happens when you direct one of the most acclaimed music documentaries in recent memory. Summer of Soul, 2021's Oscar-winning exhumation of forgotten footage of the 1969 Harlem Cultural festival, was a film that also had stern things to say about how African American culture is commemorated and curated.
"We hold these truths to be self-evident – that Black history is going to be erased," says a voiceover near the film's conclusion. In its aftermath, Thompson says, he became, by default, a ".
