From Madhuri Dixit’s enchanting performance in Gajagamini to Aditi Rao Hydari’s beautiful portrayal in Heeramandi; from Mudhabala’s majestic stride in Mughal-e-Azam to the unexpected yet awe-inspiring interpretation by Rajkumar Rao and BTS’ Jimin, the Gajagamini walk has left its mark on the hearts of audiences everywhere. To explore why it’s become such a crucial part of Indian entertainment would mean to scrutinise the roots of the Gajagamini walk, which lie in the graceful movements of classical dance forms. It’s a plethora of strength and serenity, embodying power and poise in equal measure.
Historically, the Gajagamini walk first stole the spotlight in the timeless classic Mughal-e-Azam, where Mudhabala’s portrayal of Anarkali left spectators in awe with her regal stride and commanding presence. Her walk wasn’t just a way to get from point A to point B; it was a bold statement of defiance and resilience. “Aditi’s elegant walk has been compared to Madhubala and Madhuri Dixit’s walks in the past.
While all of these are seductively enchanting techniques to watch, there is still controversy about their origins and why they are called Gajagamini. In Sanskrit, Gajagamini means “elephant walk” or “sway.” It is an analogy for a woman’s alluring walk.
Dance has its origins in Kathak, which dates back to 400 BC! While it is comparable to gaj gat (gaj—elephant and movement of walk or chaal of dance is called gat), a kathak expert may disagree becau.
