When ’s agent called her a year ago to propose an acting role – a career-defining acting role no less – the designer politely declined. Her brand, Rouje, was going from strength to strength. She didn’t do drama anymore.
Her agent persisted and the notion of the part – a starring role as Paloma Picasso in Disney+’s – began to percolate in Damas’s mind. She relented and did a screen test; the casting team loved the red-lipped businesswoman who stood before them. Aside from Picasso’s own signature cherry pout (the artist was committed to Revlon’s Certainly Red and Love That Red, and later launched her own Mon Rouge line with L’Oréal), and the vague recollection of a perfume ad in the ’80s (the Paloma scent for L’Oréal was so successful it became its own body care line), Damas knew little about the woman she would embody on the small screen.
She bought two books – by Alicia Drake and Raphaelle Bacque’s – and immersed herself in the world of ’70s fashion – the jumping off point for the new series. What she uncovered was a true original – a trailblazer who was determined not to live in the shadow of her parents, the French artists Pablo Picasso and Françoise Gilot, but to forge her own path at first designing jewellery, then later dabbling in scent. “She used fashion and beauty to play and define who she is,” recalls Jeanne, who found parallels between Paloma’s flea market wardrobe of ’40s dresses and the retro-leaning pieces prod.
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